Saturday night music extravaganza double-bill.

Good evening to you, unless it isn’t, then good morning or good afternoon, wherever you may be, I hope you’re having a lovely weekend so far.

I have spent an inordinate amount of time recently, making a couple of extremely complex audio visual delights and the time has come to share them with you.

The first is a completely “original” composition, made using royalty-free samples I found in online archives; created by my usual method of producing two complete eight track recordings and then mixing them together on my virtual DJ decks.

Once again I have lovingly constructed a multilayered, psychedelic, visual feast to accompany the sonic odyssey, Flare Rider, which you may enjoy right here and now. The music will also soon be available as a release on my Bandcamp page.

The second musical offering I have for you is another in my series of unlikely soundclash mixes; this one features some ’80s pop classics, along with some bespoke breaks, beats and bleeping noises from yours truly on the virtual wheels of steel.

It’s also FREE to download on Bandcamp (because; royalties, copyright, etc) so grab a copy for yourself while it’s still available…

Back by (not very) popular demand: DJ dc57 and the Wheels of Steal.

No, that’s not a typo, it’s a reference to the blatant artistic thievery I employ to create my unconventional mashup mixes; jamming together unsuspecting and unlikely tunes for my own twisted entertainment.

Well, I’ve been producing them for long enough now that I thought I should compile some of the best and make them freely available, as an unofficial and totally unauthorised release on my newly re-energised Bandcamp page.

I cannot possibly charge you anything for them – I can’t even allow you to “name your price” due to copyright issues – however, there is nothing to stop anyone from browsing the rest of my back catalogue and choosing to pay for a completely different track, while downloading the free remixes…

Anyway, the album is embedded below, should you wish to sample its delights, and quite a mixed bag of obtuse musical juxtapositions it is, too.

Both the somewhat blunt title and mildly disturbing cover art, (which, you’ll be unsurprised to learn, are Twin Peaks-related in-jokes) are from an album I created to store all the mixes in my phone’s music player, so it seemed only fitting that I use it for its real world release, so to speak.

Brace yourselves…

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