Turn on, tune in, freak out.

I thought it was time to update my audio visual showcase, so I have added a plethora of YouTube videos to my Sound and Vision page, compiling all the best mixes and sonic experiments from the last few years.

I have also added a link to the folder containing these and dozens of other mp3 files, should you wish to download any of my peculiar ouevre, completely free of charge.

VISIT THE PAGE BY CLICKING THE IMAGE BELOW.

Enjoy the vibes.

#1linerWeds*: Wednesday Weirdness.

Here we are again, for what is probably the final dose (for now, anyway) of Wednesday Weirdness, as the guest features for Lockdown 2020 come to an end.

I have once more been hard at work in the Return of the Internet Nobody video editing suite, (a chair in the garden) to splice together an even more FX-laden audio visual spectacular; using a greatest hits collection of my animated Instagram posts which are all, need I remind you, made using only this same single photo, soundtracked with one of my remixes.

With any luck, normal service will resume next week.

#1linerWeds

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*ok, so it was one very long line, I’ll give you that.

#1linerWeds: Wednesday Weirdness.

I’m running a bit late today with my Wednesday Weirdness post, I just don’t know where the time has gone today.

I have once again stitched together some of the micro-videos which have been accompany the Melodic Randomiser posts on Instagram and added some more new music.

#1linerWeds

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#1linerWeds: Wednesday Weirdness.

For this, One Liner Wednesday‘s journey into Weirdsville, we’re following a route which takes us through both music and art.

As well as making a deliciously gloopy video for my latest musical composition, I have been adding the Melodic Randomiser to my Instagram feed, where I have produced bespoke artwork for each day’s post and here are some of my favourites, along with a peculiar gif.

#1linerWeds

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Mixing lice and noise.

Another lazy weekend, another chance to sit in the sunshine and do some remixing.

This time, the victim subject of my sonic tomfoolery is Stephin Merritt, the singer/songwriter also known as The Magnetic Fields and his strange little song, The Meaning of Lice, which I mashed together with an Art of Noise percussion sample

Here are the lyrics;

Lice, lice, divine device
Miscellaneous
Ticks, ticks, and magic tricks
Subcutaneous
Fleas, fleas, STDs
All of Egypt on their knees
Lice, lice in paradise,
A necessary heresy.

Our god would want their sod
To turn to pestilence
Strange angels so unjust
To peasants in their tents
Murder, rust bringer
Of each leech and skin stinger
Lice, lice in paradise
Religion ain’t philosophy

Lice, lice, divine device
Miscellaneous
Ticks, ticks, and magic tricks
Subcutaneous
Fleas, fleas, STDs
All of Egypt on their knees
Lice, lice in paradise
A necessary heresy

…and here is my mix, along with the supremely gloopy video I made to accompany it.

I give you, The Art Of Lice.

Return of DJ Nobody.

To help take my mind off the stress and turmoil of the past few weeks, I’ve been mucking around with audio-visual gadgets again, to bring you two additions to my ever-expanding collection of psychedelic remix videos.

The first frenetic explosion of sound and colour is an unlikely collision between African rhythms and Balearic beats, mixing The Sahara All-Stars with Beat Connection, resulting in Take Your Balearic Trunk Soul Rhythm

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Secondly, a more subtle reworking of a song by electronic music innovator and producer, Imogen Heap, the lovely Glittering Cloud, unimaginatively renamed by me as Stuttering Cloud.

Visible vibes.

Over the last week, I have once again been messing around with my music apps; Oscilab, the loop maker and sequencer on my phone, combined with a beta-test version of the Poweramp music player on my tablet, which includes a new “visualisation” feature.

This transforms any audio signal played through it into a complex and synchronised series of patterns which are unique to each sound, allowing you to “see” the music.

Like, far out, man.

Unfortunately there is no way to save the resulting psychedelic visual display, unless you get creative and improvise a little, of course.

So I built myself a studio in the airing cupboard; a black box with my tablet lying in the bottom of it and a sheet of glass on top with my phone on top of that.

Then, with my phone camera turned on, all I needed to do was line up my tablet in the video viewfinder, press play on the tablet and record on the camera, then close the door and wait for my latest musical creation to finish playing.

Once I have video of the unique patterns produced by my new tune, all that remains is for me to edit the video to the exact length of the audio track, (cutting out me turning on the tablet and removing any blank screen from the end) remove the sound from the raw video, dub the music back over the edited footage and; Voila! another masterpiece.

I’m not one for leaving an idea alone, once I’ve convinced myself of its brilliance, so I ended up making four new electronic soundscapes in the last few days, all with their own trippy visual accompaniment.

I’m posting one of the most melodic and chilled-out numbers here, which I’ve called The Glimmering, but you can also find it, along with all the rest of this week’s audio output (plus one earlier attempt) on my new page, Sound and vision: The Oscilab project, via that link or the drop-down menu at the top of the page.

I hope you enjoy the soothing tones of this adventure in electronic psychedelia and when you’ve sampled its peculiar delights, why not visit the new page for yourselves and check out the rest of my collection.

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