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March of the Internet Nobody, day twenty five: Melodic Randomiser Unspooled, part lots…

Time for your final (for now) weekend dose of Melodic Randomiser Unspooled, my semi-regular lucky dip into the musical gems that live in their little plastic boxes under the stairs.

Today’s selection brings together early sampling, rough edged 1970’s pub rock and ’90s dance superstars, all from the UK.

First up, something from the Crew Cuts compilation, a 1984 collection of breakthrough hip hop pioneers which includes this classic cut and paste masterpiece, Beat Box by Trevor Horn’s Art of Noise

…then we go back to 1978 for an entire album of raw rock and roll from Johnny Kidd‘s former backing band, The Pirates, here’s Skull Wars

…and we finish up with arguably one of the most important bands from the ’90s dance scene; Underworld and Pearl’s Girl.


Hope you enjoyed that, stick around, there’s another quick bonus post coming up soon…

 
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Posted by on March 25, 2017 in Melodic Randomiser, Music

 

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March of the Internet Nobody, day eighteen: Melodic Randomiser Unspooled, part many…

As I predicted last weekend, a Melodic Randomiser Unspooled post is the easiest way to fulfill my daily blogging duties on a Saturday, so join with me in enjoying some more nostalgic musical treasures from the boxes of cassettes under the stairs.

Today we have another eclectic selection that spans the decade when music was going through a paradigm shift, due to the increasing use of electronically created music. Everyone from prog rock stalwarts to ex-punks were experimenting with the huge range and variety of music that could be achieved using synthesizers, incorporating exciting new textures and sounds into their existing oeuvre, enabling them to stay relevant in this brave new world of musical exploration.

The first of today’s cryptic triptych is from one of those prog bands who narrowly avoided being eclipsed by the new wave of cutting edge electronic bands by embracing new sounds into a back catalogue already rife with elaborate synthesizer noodling; Yes.

Drama was released as the decade began and was the album when production genius and keyboard whiz Trevor Horn came onboard, after founder member Rick Wakeman departed the band, blending their trademark flamboyant style with shinier production and a sleeker, more modern sound.

And here you can enjoy the full album in all its dramatic glory.


Then we have a band who grew from the ashes of proto-goth punks, Bauhaus and honed their sound into a mellower, more melodic style as Love and Rockets and this is their Seventh Dream of Teenage Heaven album, released slap bang in the middle of the ’80s.

Here is The Dog-end of a Day Gone By.

Lastly and not at all leastly, one of the pioneers of UK electronic music in ’80s, Depeche Mode, who were making sparse, bleepy pop when Yes released Drama but by 1990 had matured into an edgy and decidedly darker band, Violator being a massive critical and commercial success for them, beginning a debauched and reckless few years during which frontman Dave Gahan actually died twice.

This is their huge worldwide hit, Enjoy the Silence.

Well I don’t know about you, but that certainly brought back some memories.
Tune in for this month’s final edition of Melodic Randomiser Unspooled next weekend.

There’s a bonus post coming up later, so watch out for that and I’ll see you tomorrow for SoCS and whatever I think of to do on my day off.

Cheerio.

 
 

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March of the Internet Nobody, day eleven: Melodic Randomiser Unspooled, part somethingorother…

For today’s daily post I’m going with the ever faithful standby of grabbing a handful of cassettes out of a box and bringing you another in my recently resurrected series of Melodic Randomiser Unspooled.

The triumphant triumvirate of tapes that graces my blog juke box today are a pretty eclectic selection, so there’s a chance you might find something that piques your interest, whatever your musical taste (well, maybe not, but you don’t know until you try, do you?). There’s the terrifyingly, deliriously heavy thunder of metal, spiky alternative new wave pop and wryly humorous, percussion laden ska, which is enough for anyone to digest in one sitting. Not only that; you get not one, but two full albums and a host of bonus tracks.

You’re welcome.

Firstly a band fronted by one of the many great artists to have shuffled off stage for the final time in the last couple of years; here’s Lemmy and Motörhead with the entire expanded album of Orgasmatron.

Once you’ve got your hearing back after that, soothe your ears with the harmonious tones of the Fun Boy Three and their 1981, post-Specials debut single, The Lunatics Have Taken Over The Asylum

…then to round off this musical mystery tour here’s another complete album (courtesy of a YouTube playlist) by an artist whose career has spanned as many musical styles as you care to mention; from virtuoso guitar solos in ’70s rock musos Be Bop Deluxe, to experimenting with electronic and ambient music, to his more recent, laid back material, Bill Nelson has always been a musical innovator.

He was on the second stylistic phase of his career by this point; from 1979, this is Bill Nelson’s Red Noise and Sound On Sound.

*****

I suspect the Randomiser will become a weekend fixture for the remainder of March, so stay tuned for more of not-the-same soon.

 
 

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March of the Internet Nobody, day three: Melodic Randomiser unspooled, part whatever…

Day three of my daily, month-long attempt to post something every day for a month and I haven’t even started repeating myself yet and it’s already day three of my monthly attempt to post something every day. 

It’s going well so far, I think.

Today is music day and I have once again unearthed a box of rattling plastic cases and fragile spools of magnetic ribbon from under the stairs for your listening pleasure.

Yes, it’s time for another of my occasional Melodic Randomiser Unspooled posts; wherein I ferret around in a plywood box filled with dozens of cassettes, relics from the hazy days of my youth, to bring you a trio of tunes to tickle your terpsichorean tendencies.

The trilogy of tapes making up today’s random selection of rectangular nostalgia are as fine an example of eclectic juxtaposition as you could possibly hope to fill your aural receptors with, so sit back and let it wash over you.

First up, a man once described as looking like “a sexy dolphin” by Radio 1’s Jo Wiley, Evan Dando and his band, with a track from Come on feel The Lemonheads; here’s Big gay heart

…followed by the breakthrough track from Sheffield’s hardest working band of the ’90s, Pulp, with the brilliantly observed and ferociously cynical Common People

…finishing off with a track from one of the most enduring and accomplished guitar players of all time, Carlos Santana and his eponymous band, with a true classic, Samba Pa Ti.


And if you can’t find something there to please your audio sensory apparatus, then I’ll just have to try extra hard next time, so stay tuned.

Up next, the Cosmic Photo prompt, then another post tomorrow, see you soon…

 
 

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The return of Melodic Randomiser Unspooled…

I thought it was time to delve once more into the little plastic boxes of nostalgia that make up my vintage cassette collection, just because I haven’t done a Melodic Randomiser post for a while and it seemed like a good idea.
The box I dragged out from under the stairs this time is as eclectic a selection as any of them and this one offered up a fine juxtaposition of styles.

First we have the epitome of ’90s indie pop, Travis, with their debut album, Good Feeling, from which I’ve picked my favourite single, All I Want To Do Is Rock

….followed by Hey Dude, by hippy rockers Kula Shaker, from their first album, K

…and completing this most unlikely trio with the full album of the frankly unhinged Captain Lockheed And The Starfighters by bonkers Hawkwind alumni, Robert Calvert:


So there you have it, a playlist you won’t find anywhere else, I hope you find something to enjoy.

Stay tuned for further trips back in time in the not too distant future.

 
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Posted by on February 4, 2017 in Blogging, Melodic Randomiser, Music, Video

 

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#atozchallenge: C is for cassette (Melodic Randomiser Unspooled 7)…

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is for cassette.

As anyone who follows this nonsense will know, I have been gradually working my way through my audio cassette collection for a while and I thought that this third edition of the A-Z challenge would be the ideal time to add a new Melodic Randomiser Unspooled post.

Today’s trio of tapes are all ’90s British classics, starting with Blur and their debut album, Leisure, here for you to enjoy in its entirety…

…followed by Black Grape, the side project of ex-Happy Mondays frontman, Shaun Ryder and their It’s Great When You’re Straight, Yeah album, from which comes this, In The Name Of The Father

…and finishing off with another Manchester band, Inspiral Carpets and possibly their greatest moment, This Is How It Feels, from the Life album.

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#atozchallenge

 

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Just Jot It January: Day twenty nine. Melodic Randomiser Unspooled 6…

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It’s been a long day today and since I’m now relaxing with a drink and a few tunes, I thought I’d make this Just Jot It January post the next in my series of cassette-library-plundering Melodic Randomiser Unspooled features.

So here is the first handful of plastic boxes I pulled out of the understair archive…

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…starting with metal icon and ex-Scorpions, ex-UFO axe-man, Michael Schenker.

This track is from the Michael Schenker Group album, Armed and Ready.

With my usual obtuse eclecticism, the next tape out of the box was Dazzle Ships by electro-pop pioneers Orchestral Maneuvers in the Dark, so here’s Telegraph

…and just in case you detected any sort of theme, pattern or method in my musical madness, here’s the entire, sprawling, bombastic, camp and overblown experience that is Frankie Goes To Hollywood and their gloriously over the top debut album, Welcome to the Pleasure Dome.

You’re welcome.

#JusJoJan

Pingback to Linda G Hill.

 
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Posted by on January 29, 2016 in Just Jot It January, Music, Video

 

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